I think the boxed logo and pointer knobs were only 1967. I've got a 100S with pointer knobs, but it's been forever since I've had the chassis out of that one and I don't remember for sure what the date was.
The 200S complete rig in any year is all the amp most players will ever need in this day and age, better for live gigs than the 2000S IMO. I love gigging a 2000S rig, and it's sound, power and presence is awe inspiring.
While winding out a two cab 2000S rig a couple decades ago at SIR Nashville, I had a well known bass player tell me that it sounded like the voice of God.
However, the older I get the more actually
moving one gets to be like wrestling a bear.
In the 70's, the 2000S (or multiple 2000S's) was needed to keep up increasing venue sizes and the related db required. With the advent of portable sound reinforcement getting dramatically more efficient and more compact/lighter every year, IMO the 200S takes on new relevance. It's not too big or heavy, and tonally it's like the "P Bass" of the amp world; it just works so well across so many genres and in so many applications it's an icon.
Time for that phoenix to rise out of the ashes I think...