The Reeves is much more powerful with substantially more headroom than my 2000S's are, and I generally like a big clean tone for bass. I personally don't have use for Power Scaling,
that Reeves just has a standard master volume, and it's mostly wide open.
It's also a two channel amp, normal and bright, and I bridge them and roll down the master which allows me to overdrive the output stage to get some good grind if the mood strikes me.
Depending on the style of music, I usually use the Reeves or a
200S for gigging, with one 215S cab loaded with EVM 15L's. It's
plenty for stage volume, I mic the 200S or use the DI on the Reeves into the PA for FOH, and it's one heck of a lot easier to schlep around than those 2000S cabs.
My 2000S rigs rarely leave my shop. That picture was taken at a talkbass.com GTG that I brought a full 2000S rig and the Reeves head to, mostly because a lot of the younger folks there had never seen a 2000S rig in person, and because the old dudes enjoyed the trip down memory lane.
We were blowing out drop ceiling tiles for most of the afternoon, it reminded me of the days when I thought I
needed that kind of fire power to gig.
I let technology and sound reinforcement systems do the SPL "heavy lifting" for me now days. I think it's called "older and wiser"!
I did play an outdoor venue a couple of years ago with two 2000S heads and four cabinets. The guitar player showed up at load in with his 112 combo in his hand, looked at my rig, shook his head and walked to his side of the stage without saying anything. The sound man had me almost out of the mix completely, and let's just say my bandmates were less than happy with my stage volume.
Kind of silly in this day and age, but I must admit, it was kinda fun.
That cab is re-grilled, but that's the original tolex.
By the way, I wouldn't carve up one of my 2000S's to modify it, IMO
another reason for you to use the Yellow Jackets that I failed to mention earlier.